Hollywood Movies

Bollywood Movies

Tamil Movies

Mad Max: Fury Road

Mad Max: Fury Road


Download (1080p)

Download (720p)

Download (480p)



Director: George Miller
Writers: George Miller. Brendan McCarthy. Nick Lathouris
Stars: Tom Hardy. Charlize Theron. Nicholas Hoult



Movie Story

Max Rockatansky (Tom Hardy) opens with a voice-over narration that he was once a cop and road warrior and is now trekking through post-apocalyptic Australia, running from the haunting thoughts of his dead wife and child, and the other dead people he’s encountered. A two-headed lizard crawls up near Max, and he stomps on it before eating it. He drives off and is quickly pursued by a group of scavengers called the War Boys, who are all pale and covered in blisters due to radiation sickness. They chase Max through the desert and cause him to crash before they capture him.

The War Boys take Max to their location and shave his head and face. They tattoo his back and try to use him as a blood bag since he is a universal blood donor (Type O). Max is nearly branded with an image of a skull engulfed in fire until he breaks free and runs from the War Boys. Max continues to see images of the dead before he makes it to an exit that’s high above the ground. He jumps out and latches onto a hook, though he keeps swinging in the direction of the War Boys and they manage to pull him back toward them.
In the Citadel, there is a large community of survivors lorded over by the leader of the War Boys, Immortan Joe (Hugh Keays-Byrne; who also played the villain Toecutter in the original “Max Max” film). Joe wears a grotesque face mask made of horse teeth to help him breathe from his damaged lungs. He supplies the people with some water, making everyone go crazy and fight for it once Joe shuts it off. He warns the people not to become addicted to water so that they do not go mad over its absence. Joe then sends his commander Imperator Furiosa (Charlize Theron) out in a huge War Rig to collect gasoline from Gas Town, along with a group of War Boys.

On the road, Furiosa diverts from the path to Gas Town (glimpsed as oil refinery region) and heads east. Joe is alerted to the movement and runs into his chambers where he keeps his Five Wives (women chosen to breed his children). Nobody is there, but his finds writings that say “Our children will not be warlords” and “Who killed the world?” An old woman stands alone telling Joe that he cannot own a human. Furiosa is taking the women away from Joe, prompting him to rally the War Boys and go after her. One of the War Boys, Nux (Nicholas Hoult), is using Max as his blood bag and jumps at the chance to go after Furiosa so that Joe can bring him to the gates of Valhalla.
The War Boys ride after the Rig. Nux straps Max to the hood of his car and eagerly chases Furiosa alongside the others. They attempt to get close to the Rig, but Furiosa shakes most of them off. Nux gets close to the Rig as Max attempts to break free. Furiosa drives toward a huge oncoming sand storm. Nux continues to chase after her, even as they head into treacherous sand tornadoes. A few War Boys get killed in the storm, while Nux and Max are spun out of control, causing them to crash.

Max awakens to find himself still chained to an unconscious Nux. He grabs a rifle and tries to shoot off Nux’s wrist, but the gun is jammed. He walks around the rig to see five beautiful women — Splendid Angharad (Rosie Huntington-Whiteley), Toast The Knowing (Zoe Kravitz), Capable (Riley Keough), Cheedo The Fragile (Courtney Eaton), and The Dag (Abbey Lee) — cleaning themselves with a hose. Angharad is nine months pregnant with Joe’s child, and Dag is also carrying his baby. Max holds the rifle at the women for them to give up the water. He sprays a bunch in his mouth and then makes them get the cutters to break off his chain. Dag tries to but cannot break it. Furiosa sees from the distance that Joe has gathered reinforcements from the other towns that supply gas and ammunition to the Citadel, led by The People Eater (John Howard) and The Bullet Farmer (Richard Carter). Max and Furiosa fight as he tries to break himself off Nux. Nux wakes up and helps Max fight Furiosa. Nux breaks off the chain and Max tries to take the rig for himself. However, it stalls because Furiosa installed a killswitch and only she knows how to keep it going. Max lets her back on the rig but he doesn’t want to take the rest of the women. Furiosa insists that they join him, as she is guiding the women to a location from her youth called The Green Place. They ride off while Nux sneaks on board.
Furiosa drives the Rig up to a canyon where a group of Biker bandits await for their payment in gasoline. They spot Joe and his forces coming in close. Furiosa drives the Rig away while the Bikers blow up the overpass to block Joe out. Another chase ensues through the desert. The War Boys keep trying to overtake the Rig while Joe is catching up faster. He attempts to shoot at the Rig until Angharad steps out as a human shield, and Joe cannot do a thing without hurting his potential son. Nux attempts to help Joe, who sprays chrome paint on Nux’s mouth with the promise of bringing him to the gates of Valhalla if Nux succeeds. Almost immediately, Nux loses his gun in front of Joe, who continues driving with disappointment. Angharad tries climbing back to the front of the Rig, but she falls off and is run over by Joe’s car. The women tell Max to turn back, but when he tells Furiosa that Angharad went under the wheels, Furiosa says they must keep going. The other cry for Angharad.

Nux slips back into the Rig with the promise of helping the women evade Joe. He lays on the floor, distraught that he has failed Joe yet again and has lost his chance of joining his personal army. Capable sits and consoles him. At the front, Furiosa tells Max of The Green Place and how she was taken from it as a child.

As they continue driving through the night, the Rig gets stuck in a big mud pile. The Bullet Farmer is not far behind them. Max shoots at him but misses, and then Furiosa gets a clean shot, taking out The Bullet Farmer’s lights and blinding him.
Meanwhile, Joe’s lieutenant Slit (Josh Helman) takes Angharad’s body, as she is near-death, and he cuts the baby out of her stomach. The baby is dead too, but he tells Joe that it was a boy. Joe tells his son Rictus (Nathan Jones) that he had a brother. Rictus screams proudly. The women continue trying to get the Rig out of the mud while Max goes out to face The Bullet Farmer himself. He returns with The Bullet Farmer’s blood on his face, along with a nice supply of guns and ammo.

In the morning, the Rig comes up to a tower where a naked woman, The Valkyrie (Megan Gale) is screaming. Max thinks it’s a trap, but Furiosa steps out and tells The Valkyrie her mother’s name and her affiliation with this clan. The Valkyrie climbs down the tower and puts on a robe. More older women, the Vuvalini, emerge. The eldest Keeper of the Seeds (Melissa Jaffer) recognizes Furiosa. She tells them that she is taking the women to The Green Place, but the Keeper of the Seeds informs her that the muddy swamp they passed through WAS The Green Place, and it is uninhabitable. Furiosa walks into the sand and falls on her knees, screaming in despair. The Vuvalini agree to help the women ride through the salt flats in search of a home. Max, still haunted by the images of his wife and child, decides to help the women go back to the Citadel since Joe’s greenery and water supply are currently unguarded. They also plan to trap him and his army in the canyons.
The whole group rides back in the direction of the Citadel. Joe sees them riding from his telescope, knowing full-well what their plan is. He gathers his army and gives chase. The Vuvalini help fight back. The Valkyrie shoots at the War Boys while defending one of her own until she is run over. Max and Furiosa kill some of the War Boys, while Max gets Joe to kill The People Eater by using him as a human shield. The Keeper of the Seeds is also killed when one of the War Boys cuts her neck. Toast is captured by Joe and held hostage. Furiosa is impaled and gets weaker as Joe and Rictus gain momentum. Toast distracts Joe long enough to allow Furiosa to hook Joe’s mask onto the wheels of his car. She growls, “Remember me?” to him as the wheels rip the mask and Joe’s face off, killing him. The Rig then heads toward the canyon, with Rictus still trying to kill the group. The women get off safely while Nux says goodbye to Capable and swerves against the canyon, sacrificing himself to kill Rictus and collapse the overpass to put an end to Joe’s army.

On the way back to the Citadel, Furiosa’s lungs nearly collapse. Max punctures a hole in her side to give her air. She starts to lose consciousness, and Max starts to give her a blood transfusion. He tells her his name as she closes her eyes.

The group arrives at the Citadel. Max presents the people with Joe’s mouthless corpse, making everyone cheer. They rip Joe’s corpse apart and feed off him. The water supply is brought out, giving the people as much water as they need. Furiosa rises and apparently becomes the new leader. She and Max acknowledge each other with respect once more before he slips away into the crowd to continue down his path.

Avatar: The Way of Water

 

Avatar: The Way of Water

Download (1080p)

Download (720p)

Download (480p)

Director: James Cameron
Writers: James CameronRick JaffaAmanda Silver
Stars: Sam Worthington Zoe Saldana Sigourney Weaver

Movie Story And Review: James Cameron wants you to believe. He wants you to believe that aliens are killing machines, humanity can defeat time-travelling cyborgs, and a film can transport you to a significant historical disaster. In many ways, the planet of Pandora in "Avatar" has become his most ambitious manner of sharing this belief in the power of cinema. Can you leave everything in your life behind and experience a film in a way that's become increasingly difficult in an era of so much distraction? As technology has advanced, Cameron has pushed the limits of his power of belief even further, playing with 3D, High Frame Rate, and other toys that weren't available when he started his career. But one of the many things that is so fascinating about "Avatar: The Way of Water" is how that belief manifests itself in themes he's explored so often before. This wildly entertaining film isn't a retread of "Avatar," but a film in which fans can pick out thematic and even visual elements of "Titanic," "Aliens," "The Abyss," and "The Terminator" films. It's as if Cameron has moved to Pandora forever and brought everything he cares about. (He's also clearly never leaving.) Cameron invites viewers into this fully realized world with so many striking images and phenomenally rendered action scenes that everything else fades away.
Maybe not right away. "Avatar: The Way of Water" struggles to find its footing at first, throwing viewers back into the world of Pandora in a narratively clunky way. One can tell that Cameron really cares most about the world-building mid-section of this film, which is one of his greatest accomplishments, so he rushes through some of the set-ups to get to the good stuff. Before then, we catch up with Jake Sully (Sam Worthington), a human who is now a full-time Na'vi and partners with Neytiri (Zoe Saldana), with whom he has started a family. They have two sons—Neteyam (Jamie Flatters) and Lo'ak (Britain Dalton)—and a daughter named Tuk (Trinity Jo-Li Bliss), and they are guardians of Kiri (Sigourney Weaver), the offspring of Weaver's character from the first film.
Family bliss is fractured when the 'sky people' return, including an avatar Na'vi version of one Colonel Miles Quaritch (Stephen Lang), who has come to finish what he started, including vengeance on Jake for the death of his human form. He returns with a group of former-human-now-Na'vi soldiers who are the film's main antagonists, but not the only ones. "Avatar: The Way of Water" once again casts the military, planet-destroying humans of this universe as its truest villains, but the villains' motives are sometimes a bit hazy. Around halfway through, I realised it could be clearer why Quaritch is so intent on hunting Jake and his family, other than the plot needs it, and Lang is good at playing mad.
The bulk of "Avatar: The Way of Water" hinges on the same question Sarah Connor asks in the "Terminator" movies—fight or flight for family? Do you run and hide from the powerful enemy to try and stay safe or turn and fight the oppressive evil? At first, Jake takes the former option, leading them to another part of Pandora, where the film opens up via one of Cameron's longtime obsessions: H2O. The aerial acrobatics of the first film are supplanted by underwater ones in a region run by Tonowari (Cliff Curtis), the leader of a clan called the Metkayina. Himself a family man—his wife is played by Kate Winslet—Tonowari is worried about the danger the new Na'vi visitors could bring but can't turn them away. Again, Cameron plays with moral questions about responsibility in the face of a powerful evil, something that recurs in a group of commercial poachers from Earth. They dare to hunt sacred water animals in stunning sequences during which you have to remind yourself that none of what you're watching is real
The film's midsection shifts its focus away from Sully/Quaritch to the region's children as Jake's boys learn the ways of the water clan. Finally, the world of "Avatar" feels like it's expanding in ways the first film didn't. Whereas that film was more focused on a single story, Cameron ties together multiple ones here in a far more ambitious and ultimately rewarding fashion. While some of the ideas and plot developments—like the connection of Kiri to Pandora or the arc of a new character named Spider (Jack Champion)—are mostly table-setting for future films, the entire project is made richer by creating a larger canvas for its storytelling. While one could argue that there needs to be a stronger protagonist/antagonist line through a film that discards both Jake & Quaritch for long periods, I would counter that those terms are intentionally vague here. The protagonist is the entire family and even the planet on which they live, and the antagonist is everything trying to destroy the natural world and the beings that are so connected to it.
Viewers should be warned that Cameron's ear for dialogue hasn't improved—there are a few lines that will earn unintentional laughter—but there's almost something charming about his approach to character, one that weds old-fashioned storytelling to breakthrough technology. Massive blockbusters often clutter their worlds with unnecessary mythologies or backstories, whereas Cameron does just enough to ensure this impossible world stays relatable. His deeper themes of environmentalism and colonization could be understandably too shallow for some viewers—and the way he co-opts elements of Indigenous culture could be considered problematic—and I wouldn't argue against that. But if a family uses this as a starting point for conversations about those themes then it's more of a net positive than most blockbusters that provide no food for thought. 
There has been so much conversation about the cultural impact of "Avatar" recently, as superheroes dominated the last decade of pop culture in a way that allowed people to forget the Na'vi. Watching "Avatar: The Way of Water," I was reminded of how impersonal the Hollywood machine has become over the last few decades and how often the blockbusters that truly make an impact on the form have displayed the personal touch of their creator. Think of how the biggest and best films of George Lucas and Steven Spielberg couldn't have been made by anyone else. "Avatar: The Way of Water" is a James Cameron blockbuster, through and through. And I still believe in him.

Fighter Full Movie Download

 

Fighter Full Movie Download

Download (1080p)
 
Download (720p)

Download (480p)

Director: Siddharth Anand
Writers: Siddharth Anand Ramon Chibb Abbas Dalal
Stars: Hrithik Roshan. Deepika Padukone. Anil Kapoor

Movie Story And Review

Group Captain Rakesh Jai Singh (Rocky) is assigned to a team of fighter pilots called Air Dragons. Which consists of Meenal Rathore (Minni), Sartaj Gill (Taj), Basheer Khan (Bash) and the best fighter pilot Shamsher Pathania (Patty). Rocky and Patty share grief as he believes a co-pilot Naina (Enjay) died due to his negligence and old habits die soon. Patty and Mini come close to each other during their mission and fall in love. On the other end Azhar Akthar an international terrorist plans an attack with Pakistan on an Indian Army Base which leads to a major loss of lives.
 But Patty and his team backfired and destroyed the Pakistani air base. After a conflict between the two countries where Pakistanis launched another attack on the Indian army Patty, Taj and Bash crossed the LOC and entered Pakistani even though Rocky had instructed them not to cross the LOC. Bash and Taj plane crashes and both are termed dead. Rocky then raises an inquiry on Patty for not following instructions but Rocky proves him not guilty and has him transferred to Hyderabad Air Force Academy as an instructor.

No, complain about the acting but the storyline of the movie is disappointing. It doesn't feel connected. Climax is average.
Emotion, comedy, and actions could be better. The movie tried to put emotions in some places but didn't stick. It just passes through without any realisation. After some time, it feels boring. You will not feel sad if someone dies.

Deepika Padukone's role has no major contribution, it doesn't have the vibes. Same old type script for her.

Hrithik has a major role and the total focus was on him. Still, dialogue, and story let him down.

The acting of the villain is just sufficient.

The songs are ok. Just fill the movie.

The movie is just a one-time watch without much expectations.

Jawan Full Movie Download

 

 Jawan Full Movie Download

Download (1080p)

Download (720p)

Download (480p)

Directed: Atlee
Screenplay: Atlee
                     S. Ramanagirivasan
Dialogues: Sumit Arora
Story: Atlee
Produced: Gauri Khan Gaurav Verma
                                                        Starring: Shah Rukh Khan Nayanthara Deepika Padukone                                                                                         Vijay  Sethupathi

                                                        Jawan Movie Review

Upon going through Atlee’s filmography, you’ll realise how there’s one massive commonality between all of them; it’s the way he makes films for a larger section of the audience. That’s one of the significant reasons Gadar 2 did so well; it was made for a section that comprised more than 70% of the theatres-going crowd in India. Atlee unabashedly has been doing the same thing since forever.

Jawan is designed so that when you start feeling it’s getting dragged, a ‘seeti-maar’ sequence will await you. You can see Shah Rukh Khan visibly enjoying while wearing all the different hats in the film. For some reason, Shah Rukh Khan takes a little excessive effort in dubbing for the Hindi version and comes across as a bit of ‘extra’ regarding voice-to-body movement. Yes, it’ll remind you of Aparichit, Gabbar Is Back, but this is better designed (than Gabbar…) to be a true-blue masala film.
Following Atlee’s direction pattern, you’d notice how he directs Multiple films in one film. His focus on fans-worshipping heroism is the most crucial thing, probably more important than the story and the screenplay. G. K. Vishnu’s cinematography excels in the action scenes, not in the slo-mo ones, but it’s again the ground action, the hand-combats that get the most detailed camerawork.

Shah Rukh Khan delivers probably his best performance when it comes to his stint in commercial cinema. Raees & Pathaan are good examples; this one adds a layer of portraying multiple characters, and SRK nails it yet again. Three of his characters leave a mark, and the rest just fuel the cluttery narrative.
Atlee has studied extensively and knows precisely how to play with the nerves of the Indian audience. With Jawan, he serves precisely what would be lapped up by an Indian audience with some additional masala. 
Anirudh Ravichander loses out on songs but wins big on the background score. You won’t listen to the routine ‘speed-breaking’ songs, but you surely vibe to the orchestral magic he has created with the instruments.

All said and done, Jawan will always be remembered for Atlee’s extraordinary way of giving Shah Rukh Khan a befitting tribute, proving why he’s, for all reasons, ‘the last of the stars’.

Three stars! 

Rathnam Full Movie Download and Story

 




Rathnam Full Movie Download

Download (1080p)

Download (720p)

Download (480p)

Director: Hari
Writer: Hari
Stars: Vishal, Priya Bhavani Shankar, Samuthirakani

Rathnam Full Movie Story and Review

Rathnam (Vishal), a volatile and troubled guy, serves as the muscle for MLA Panneer Selvam (Samuthirakani), upholding a twisted sense of justice through violence and intimidation. Haunted by a dark past, Rathnam struggles to control his violent impulses. We witness this quickly when he learns of a schoolgirl's abuse at the hands of a depraved individual, leading him to a gruesome act of vengeance. The arrival of Mallika (Priya Bhavani Shankar), a nurse bearing a striking resemblance to his mother, further complicates his life. Rathnam's protective instincts kick in as he follows her, only to discover she is being targeted by thugs sent by Beema Rayudu (Murali Sarma), a notorious land grabber from Andhra. This sets in motion a bloody rampage, with Rathnam leaving a trail of battered and slain enemies in his wake as he strives to shield Mallika and thwart Rayudu's ruthless plans.
Directed by Hari, Rathnam is essentially 90 minutes of action and violence (U/A certificate?!) in between moments of drama. Don't expect a mind-blowing plot or deep character development; that‘s not what this film is about. The whole setup with Mallika, this innocent soul who somehow attracts a horde of criminals, feels a bit flimsy, and the fact that her parents are willing to die over a piece of land doesn't exactly scream logical. But the director makes it clear from the get-go – this is Vishal's show, and he's here to beat the living daylights out of anyone who crosses his path. The emotional bits are just there to give his violence a semblance of justification.

Speaking of dragging, Rathnam could definitely use some trimming. A lot of the action sequences feel repetitive, with slight variations in setting and flimsy excuses for the villains to start the next round of mayhem. It's your typical Hari formula – action-packed, fast-paced, and unrelenting – but even by the director's standards, it feels sluggish at times. There is room for improvement, like reducing the family drama at Mallika’s place.
Once you get past the cheesy setup, you can actually settle in and enjoy the action spectacle. We're talking knives, machetes, adrenaline-pumping car chases, and even an impressive single-shot car chase sequence that's genuinely thrilling. Whether it's in Tamil Nadu, Andhra, or at Mallika's college, the dogged pursuit by the villains sets the stage for Vishal's over-the-top, brutal takedowns. When you’re in the groove, you won’t give a damn about the story or logic.
As expected, Vishal dominates the screen as the film's undisputed star. His portrayal of Rathnam is a perfect blend of agility, intensity, and rowdy charm. The fast-paced editing and liberal use of slow-motion elevate his action sequences, showcasing his fighting prowess with stylish flair. Priya Bhavani Shankar, while mostly confined to a role defined by concern and a fascination with Rathnam's protective nature, delivers a creditable performance. Samuthirakani brings his usual gravitas to the role of the MLA, primarily serving as the cleanup crew for Rathnam's destructive exploits. Yogi Babu’s comic relief has its hits and misses. Murali Sharma, as the terrorising villain, has a sense of danger throughout. You see his face and you get the portrait of a villain as a middle-aged man. Gautham Menon, unexpectedly, receives the loudest cheers from the audience in a cameo appearance. The remaining cast members fulfill their roles adequately, serving the narrative as needed.

The film's soundtrack bears the mark of Devi Sri Prasad. It’s a blend of masala numbers and emotionally charged melodies. M. Sukumar's camerawork captures the essence of Hari's vision, bringing the fast-paced action to life.